Sándor Klapcsik, Ph.D.

1. Vernyik, Zénó, Sandor Klapcsik, Irene Alcubilla Troughton, Ana Belén Martínez García, et al., 2025. Brutal Aspects of Migratory Esthetics: Migration and Violence in Modern and Contemporary Culture. 1^st edition. Hannover: ibidem Verlag.
2. Vernyik, Zénó, Martina Vránová, Levente Palatinus, Markéta Gregorová, et al., 2019. Crime and Detection in Contemporary Culture. Szeged: Americana eBooks.

1. Klapcsik, Sandor and Monika Bartoňová. 2025. “The impacts of ethnic and mainstream culture on Māori-themed films.” Studies in Australasian Cinema. 18(2-3), 88-103.

1. Klapcsik, Sandor. 2017. “The Balkans as ’Pretty Kitsch’: Stereotypes, the Traveler’s View and Parody in Migrant Cinema.” Zeitschrift für Balkanologie. 53(2), 256-275.
2. Klapcsik, Sandor. 2016. “Acculturation strategies and exile in Marjane Satrapi's Persepolis.” Journal of Multicultural Discourses. 11(1), 69-83.

1. Klapcsik, Sandor, 2025. “Suburban Landscapes in Eastern European Migrant Cinema.” In Suburbia Reconsidered, Volume 2: Multidisciplinary Perspectives on Suburbia and Culture. [online]. 1^st edition. Cham: Springer. 43-62.
2. Vernyik, Zénó and Sandor Klapcsik, 2025. “Terrorism as Communication in Arthur Koestler‘s Thieves in the Night.” In Brutal Aspects of Migratory Esthetics: Migration and Violence in Modern and Contemporary Culture. [online]. 1^st edition. Hannover: ibidem Verlag. 231-267.
3. Klapcsik, Sandor and Zénó Vernyik, 2025. “Turkish for Advanced: Domestic and Ethnically Motivated Violence in Turkish-German Cinema.” In Brutal Aspects of Migratory Esthetics: Migration and Violence in Modern and Contemporary Culture. [online]. 1^st edition. Hannover: ibidem Verlag. 155-179.

There is no defended final thesis.